#Amazon birds of prey comic series

The story revolves around Kora’s (Sofia Boutella) quest to save a peaceful moon from the armies of the ruling Motherworld. This first part, A Child of Fire, sets the stage for a war in Part Two: The Scargiver, which is slated for April next year. Zack Snyder’s space opera – and Netflix’s most expensive film of 2023 – is inspired by Star Wars and has been a decade in the making after Snyder’s pitch was originally turned down by Lucasfilm. Contributors from all sides are divided in admiration and revulsion. It begins with Dmitri Polyakov, a Soviet general who flipped to work for the CIA and FBI during the Eisenhower years before meeting a sticky end.

#Amazon birds of prey comic series

Dom (Steve Edge) and Jean (Sally Lindsay) are among the guests as things take a turn for the spooky.īilly Connolly, an unassuming Chinese takeaway and a plate of chips provide inadvertent revelation for the reluctant neighbours tonight, in another episode of the ribald Glasgow-set sitcom where the biggest laughs lie in the details.Įspionage – and in particular the concept of the double agent – remains irresistibly intriguing for documentary makers, and this excellent new series focuses on half a dozen of the most notorious. Of course the very essence of cosy crime has its own festive spin-off, with Jeremy (Robin Askwith) and Judith (Sue Holderness) arranging a murder mystery night at a haunted hotel. The Madame Blanc Mysteries Christmas Special The best panel show bar none returns with a few returning faces – Naga Munchetty, Alex Brooker, The Telegraph’s own Victoria Coren Mitchell – and a very intriguing new one in the octogenarian Melvyn Hayes, whose storied small-screen history (It Ain’t Half Hot Mum, SuperTed, Here Come the Double Deckers) is made for unlikely anecdotes. The latest seasonal edition finds spectacular topiary in Lincolnshire, a gloriously abundant allotment in Lancashire and a few simple tips on preparing garden tools for winter from Monty Don. Remarkably, this tale of rise, fall and rise again is the first feature-length documentary devoted to the Glaswegian band, with Jim Kerr and co on witheringly honest form. Whether you favour the brittle post punk of early Simple Minds (New Gold Dream (81–82–83–84)) or the stadium pomp enabled by the thunderous Waterfront, Joss Crowley’s film gives both eras their due. Ultimately, however, Here We Go is a lesson in what can be achieved with a strong narrative, recognisable characters, smart writing and a gold-standard comic cast, tonight bolstered by a guest spot from the ever-reliable Alex Macqueen as a boringly persistent do-gooder with an unforgivable toupée. The camcorder conceit (events are filmed from the perspective of Sam, the stoic teenage son) continues to work a treat as the Jessops gamely attempt to project positivity for posterity. Rachel (Katherine Parkinson), meanwhile, is tyrannically insistent on observing every minute family festive tradition before snatching defeat from the gaping jaws of victory, Robin (Tom Basden) continues to be led a merry dance by his fiancée (Tori Allen-Martin) and Sue (Alison Steadman) contends with a power cut. Covering the weeks between Hallowe’en and Christmas, it finds Paul Jessop (Jim Howick) griping about grasping trick or treaters (“like a live action version of Hungry Hungry Hippos”) before being cajoled into doing Santa duty at the local hospital. Oddly under discussed on its 2022 debut, Tom Basden’s family sitcom makes a virtue of its fundamental familiarity.